Author(s)

Lu Junqi ¹

Affiliation(s)

¹ Conservatorio Di Musica Giacomo Puccini, Gallarate, 21013, Italy

Corresponding Author

Lu Junqi

ABSTRACT

This article systematically compares the musical morphology characteristics of Italian opera aria and Sichuan opera Gaoqiang. Through the analysis of structural design, performance techniques, emotional expression, modal system, and cultural values, it reveals the significant differences between the two in form and content. Italian arias emphasize a standardized structure, multi-layered harmonic system, and delicate melodic lines, expressing profound emotions and dramatic tension, reflecting European classical music's pursuit of individual expression and emotional depth. Sichuan Opera Gaoqiang, on the other hand, emphasizes the creation of artistic conception and the intuitive expression of the characters' psychology with its highly fluid structure, varied vocal modes, and rich national flavor, reflecting the emphasis of traditional Chinese opera on local culture and straightforward emotions. Through comparative analysis, this study provides a profound theoretical basis for understanding the differences between Chinese and Western musical expression and cultural values, which helps promote cross-cultural artistic exchange and innovative development.

KEYWORDS

Italian Aria, Sichuan Opera Gaoqiang, Musical Morphology, Structure and Performance Techniques, Cultural Values

CITE THIS PAPER

Lu Junqi, Comparative Analysis of Musical Morphology between Italian Opera Aria and Sichuan Opera Gaoqiang. Journal of Sociology and Ethnology (2025) Vol. 7: 66-73. DOI: http://dx.doi.org/10.23977/jsoce.2025.070309.

REFERENCES

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[3] Guo Yinu. We Only Remember the "Singing Method" - Classification and Understanding of Sichuan Opera High-pitched Tune Patterns [J]. Chinese Music, 2023,(06):47-60.
[4] Li Hui. The Artistic Connotation and Singing Techniques of Italian Opera from a Cross-Cultural Perspective: A Case Study of the Aria "You Get Angry When You Are Angry" [J]. Jiaying Literature, 2024,(14):122-124.
[5] He Jiahui. A Brief Analysis of the Development of Romantic Opera Arias in the History of Western Music: A Case Study of La Traviata [J]. Aurora Borealis, 2019,(09):22-23.
[6] Yang Wenyi. Musical Characteristics and Singing Analysis of Ponchieri's Opera Aria "Angelic Voice" [D]. Shanghai Normal University, 2023.
[7] Wang Yuan. Research on the Dialect Singing Techniques of High-pitched Sichuan Opera [J]. Sichuan Drama, 2020,(11):87-89.
[8] Luo Jiaqi. Research on the Characteristics of High-pitched Music in Sichuan Opera [J]. Chinese Drama, 2018,(04):34-36.

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