Author(s)

Meng Qi ¹

Affiliation(s)

¹ Hong Kong Baptist University China, Kowloon, Hong Kong, 999077, China

Corresponding Author

Meng Qi

ABSTRACT

This paper investigates the pre-movement phase in Kunqu Yunbu training, revealing that the transmission of embodied knowledge begins not with visible action, but with somatic readiness. Through close analysis of rehearsal settings, the study identifies subtle preparatory processes—such as breath regulation, weight awareness, and mutual attunement—that occur before the first step. These nonverbal interactions, often overlooked in traditional pedagogy, constitute a significant mode of transmission rooted in silence, stillness, and relational presence. Drawing on empirical observations and performer interviews, the research reframes the temporal boundaries of traditional training and argues that readiness itself is an epistemic act. The findings suggest that effective transmission relies not only on the demonstration of form, but also on the cultivation of perceptual sensitivity and attentional alignment. This study contributes to broader discussions on embodied learning and intangible cultural heritage, offering new insights into how knowledge is shared and sustained through the body—before movement begins.

KEYWORDS

Kunqu Opera; Pre-Movement Cognition; Embodied Knowledge; Somatic Alignment; Nonverbal Transmission

CITE THIS PAPER

Meng Qi, Rethinking the Onset of Transmission: Embodied Readiness and Somatic Cognition before Movement in Kunqu Yunbu. Art and Performance Letters (2025) Vol. 6: 132-140. DOI: http://dx.doi.org/10.23977/artpl.2025.060219.

REFERENCES

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