Author(s)

Li Xingcheng ¹

Affiliation(s)

¹ Leshan Normal University, 614000, Leshan, Sichuan, China

Corresponding Author

Li Xingcheng

ABSTRACT

This study examines the pivotal role of symbols in cultural composition and the significance of semiotics in creative design applications, specifically investigating how Peirce's triadic model of semiotics can be translated into regional creative design practices in Leshan. By synthesizing existing literature and empirical data, the research analyzes the application approaches, implementation pathways, and evaluation frameworks of Peirce's semiotic theory in Leshan's regional design context. It establishes a systematic design methodology comprising "symbol extraction-semantic translation-functional reconstruction" and develops forward-looking application strategies. The findings demonstrate that Peirce's semiotic framework effectively directs the symbolic representation of regional creative products, simultaneously boosting cultural identity and commercial appeal. This provides both methodological foundations for regional cultural innovation and practical insights for developing culturally significant creative products.

KEYWORDS

Pierce Semiotics; Leshan Cultural Creation; Symbol Translation

CITE THIS PAPER

Li Xingcheng, Pierce Semiotics in Facilitating Regional Cultural and Creative Application Design Exploration in Leshan. Art and Performance Letters (2025) Vol. 6: 79-84. DOI: http://dx.doi.org/10.23977/artpl.2025.060212.

REFERENCES

[1] Barthes R. Principles of Semiotics [M]. Translated by Li You-zheng. Beijing: Renmin University of China Press, 2008.
[2] Li Zhanzi, Lu Danyun. Multimodal semiotics: theoretical basis, research methods and development prospect of [J]. Foreign language study, 2012, (02) : 1-8.

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