Education, Science, Technology, Innovation and Life
Open Access
Sign In
  1. Home
  2. Journals
  3. Media and Communication Research
  4. Vol 6, Issue 1, 2025

Study on the Development of the Film Industry from 2013 to 2022

Download as PDF

DOI: 10.23977/mediacr.2025.060109 | Downloads: 9 | Views: 286

Author(s)

Jing Zeng 1, Zhao Kaiwen 1

Affiliation(s)

1 School of Business, Xi'an International Studies University, Xi'an, Shaanxi, China

Corresponding Author

Zhao Kaiwen

ABSTRACT

The State Administration of Press, Publication, Radio, Film and Television (SARFT) was formed in March 2013, while the Film Bureau was set up under the SARFT to undertake the supervision and management of film production, distribution and projection units and businesses, among other functions. So far, the movie industry has gradually come into a new era of development. With the improvement and support of the policy and the continuous development of the times, the scale of the film industry is rapidly expanding, and the degree of its informatization and digitization is also increasing. The digital economy, a new type of economic form generated on the basis of digital technology, has increasingly become an important driving force to promote the high-quality development of the film industry. This paper mainly carries out in-depth research and analysis on China's film industry in the past ten years regarding the economic and financial market situation, the development and impact of technology, and the risks and opportunities faced in the future by means of literature research and data analysis of the financial market.

KEYWORDS

Film, Informatization Digital Economy, High-Quality Development

CITE THIS PAPER

Jing Zeng, Zhao Kaiwen, Study on the Development of the Film Industry from 2013 to 2022. Media and Communication Research (2025) Vol. 6: 64-72. DOI: http://dx.doi.org/10.23977/mediacr.2025.060109.

REFERENCES

[1] WALDFOGEL J. How digitization has created a golden age of music, movies, books, and television[J]. Journal of Economic Perspectives, 2017, 31(3): 195-214.
[2] Fang Jiexin, Zhang Xue, Liu Da. A critical decade of digitization and informatization in the film industry[C]// Editorial Board of Film Blog-Impact. Film blog-influence (2017 No.05 Total 113). 2017:49-55.
[3] E Guanan, Jing Yi. Research on the application and value of big data in the movie industry[J]. Satellite TV and Broadband Multimedia, 2019(21):99-100.
[4] Li Junbao, Zhang Tao, Shi Zhanzhong. High-quality development of cultural industry in the context of digital economy: theoretical extrapolation and empirical evidence based on the movie industry[J/OL]. Journal of Systems Management:1-13[2023-09-23].
[5] Yang Wen. Performance repair weak recovery industry recovery to speed up[N]. China Press, Publication, Radio and Television News, 2023-09-13(008).
[6] Zhou Zijun. Research on the capitalization process of China's film industry (1978-2018) [D]. Shandong University, 2019.
[7] Zou Jiaxin. Research on the impact of the new crown pneumonia epidemic on the value of listed companies in China's film and television industry [D]. Shandong University,2022.
[8] Motion Picture Association of America (MPA).Theme Report 2021[R/OL]. 
[9] Yin Hong. Technological empowerment:The path of China's movie power[J]. Modern Film Technology,2022(10):4-8.
[10] Liu Da. Reflections on the Cloudification and Intelligent Upgrade of the Film Industry in the Era [J]. Modern Film Technology, 2022, (04): 4-9. 
[11] Gao Rong. New opportunities for the development of Chinese film digitization[J]. Culture Industry,2023(22):133-135.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.