Author(s)

Liu Wujiu ¹, Wahiza Abdul Wahid ¹, Noor Azly Mohamed Ali ¹

Affiliation(s)

¹ College of Creative Arts, Universiti Teknologi MARA, Selangor, Malaysia

Corresponding Author

Wahiza Abdul Wahid

ABSTRACT

In the current era, museums serve as crucial hubs for disseminating cultural confidence among the general public. It is both necessary and urgent to delve into the application of the aesthetics of harmony and balance within the context of museum exhibition spaces as an entry point to traditional classical culture. The researcher begins with an analysis and elucidation of the aesthetics of harmony and balance, examining their manifestation and aesthetic value from the perspectives of ancient classical culture, classical gardens, and scholarly thought. This serves as a foundation for the application of exhibition techniques. Using qualitative research methods, the researcher conducts case studies on the exhibition spaces of Suzhou museums. The Confucian concept of harmony and balance is used as an entry point for the design of these museum spaces, integrating design concepts of exhibition spaces, and providing a design proposal for the Dongzi Cultural Museum. This study represents an exploratory attempt to apply the design philosophy of harmony and balance in practical design scenarios. The results involve incorporating the aesthetic principles of harmony and balance into the exhibition design scheme of the Dongzi Cultural Museum.

KEYWORDS

Aesthetics of Harmony and Balance, Museum, Exhibition Design

CITE THIS PAPER

Liu Wujiu, Wahiza Abdul Wahid, Noor Azly Mohamed Ali, Exploring the Application of the Aesthetics of Harmony and Balance in the Dongzi Culture Museum. Art and Performance Letters (2025) Vol. 6: 69-73. DOI: http://dx.doi.org/10.23977/artpl.2025.060109.

REFERENCES

[1] Guo, L., & Sun, H. (2023). The application of traditional Chinese art in modern museums. Art Exploration, 24(3), 112-128.
[2] Zhou, J. (2023). A Comparison of Aesthetic Thoughts of Confucius, Mencius, Laozi and Zhuangzi. Chinese Taoism (2), 4.
[3] Zhu, L. (2023). The "Quaint" View of Afro-Time in Chinese Art. Journal of Peking University: Philosophy and Social Sciences Edition, 60(1), 14.

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