Author(s)

Zhao Jinjie ^1,2, Nadia Binti Mohd Nasir ¹

Affiliation(s)

¹ Faculty of Creative Industry and Communication, City University Malaysia, Kuala Lumpur, Malaysia
² Department of Fine Arts, Pingdingshan Vocational and Technical College, Pingdingshan, China

Corresponding Author

Zhao Jinjie

ABSTRACT

Under the impetus of globalisation and information technology, cross-border integration in the field of design has become an important trend. The purpose of this paper is to explore the path of cross-border integration of modern Jun porcelain design, and to analyse its specific embodiment in contemporary aesthetic expression. By combining multidisciplinary theory and practice, this paper will reveal how Jun porcelain can broaden the boundaries of its artistic expression through cooperation with other design fields. Through an in-depth study of the cross-border integration of Jun porcelain, this paper expects to provide new research perspectives for the modernisation of traditional crafts, as well as feasible strategies for the future development and branding of Jun porcelain.

KEYWORDS

Jun porcelain design, Cross-border integration, Contemporary Aesthetics

CITE THIS PAPER

Zhao Jinjie, Nadia Binti Mohd Nasir, Cross-border Integration and Contemporary Aesthetic Expression of Jun Porcelain Design. Art and Performance Letters (2024) Vol. 5: 48-51. DOI: http://dx.doi.org/10.23977/artpl.2024.050407.

REFERENCES

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[9] Editorial Board of the Journal, Zhenfu Zhang & Yanjie Ji. (2021). Cross-border "clay" is more protective of flowers - Zhang Zhenfu, a master of arts and crafts in Henan Province. Friends of Science (First Half) (02), 23-25. doi:CNKI:SUN:KXZY.0.2021-02-011. 
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