Education, Science, Technology, Innovation and Life
Open Access
Sign In

Discussion on the influence mechanism of Dunhuang murals clothing elements on emotions and cultural values

Download as PDF

DOI: 10.23977/artpl.2024.050402 | Downloads: 48 | Views: 852

Author(s)

Suo Xiaofan 1

Affiliation(s)

1 Shaanxi Fashion Engineering University, Xi'an, China

Corresponding Author

Suo Xiaofan

ABSTRACT

Based on the theory of national identity with a psychological background, this article selects Dunhuang murals clothing elements as a sample to explore the influence mechanism of Dunhuang murals clothing elements on emotions and cultural values. By explaining the influence of Dunhuang murals clothing elements on emotions and cultural values, it is concluded that this emotional value can not only enhance the aesthetic experience of clothing, but also trigger a sense of identity and belonging to Chinese traditional culture, thereby affecting the public's cultural values. Through individual loyalty and identification with culture, it further promotes the inheritance and development of ancient Chinese culture, so that the integration of ancient and modern clothing can continue cultural values and let Chinese aesthetics bloom with unique fashion charm in the contemporary era.

KEYWORDS

Dunhuang murals, clothing, cultural identity, emotional value, cultural value, continuation

CITE THIS PAPER

Suo Xiaofan, Discussion on the influence mechanism of Dunhuang murals clothing elements on emotions and cultural values. Art and Performance Letters (2024) Vol. 5: 7-11. DOI: http://dx.doi.org/10.23977/artpl.2024.050402.

REFERENCES

[1] Xu Jinghong, Hou Weipeng, Cheng Xuemei, Hu Shiming. Research on the carrier evolution of Dunhuang murals from the perspective of publishing history[J]. Modern Communication (Journal of Communication University of China), 2017, 39(10):25-28. 
[2] Liu Zijin, Wang Fuyin. Innovative application of Dunhuang mural art elements in clothing design[J]. Western Leather, 2024, 46(07):98-100.DOI:10.20143/j.1671-1602.2024.07.098.
[3] Wu Yifang. Fashion choice: Analysis of the internal driving force of the audience of national tide culture Analysis [J]. Silk, 2023, 60(05): 80-86.
[4] Zhao Weinan, Chen Jingyu. Factors affecting the cultural identity of She ethnic group clothing[J]. Silk, 2020, 57(11): 75-79.
[5] Li Shiwu. The "three-dimensional integration" of multi-ethnic art has forged a strong sense of community of the Chinese nation [J]. Journal of Guangxi University for Nationalities (Philosophy and Social Sciences Edition), 2021, 43(04): 156-164.
[6] Zhou Min, Duan Huiqiong. Research on the multimodal discourse analysis framework of Chinese traditional culture [J]. Southeast Communication, 2024(03): 100-105.DOI:10.13556/j.cnki.dncb.cn35-1274/j.2024.03.032.
[7] Wu Zongyi. The performance and influence of Chinese painting elements in clothing design[J]. Dyeing and Finishing Technology, 2024, 46(05):111-113.
[8] Tian Ling. Research on the innovative application of Dunhuang mural elements in fashion design[J]. Fashion Designer, 2023(05):67-70.DOI:10.20100/j.cnki.cn11-4548/ts.2023.05.0 19.
[9] Zhang Wenbo, Wu Yongwei. Inheritance and application of paper-cutting patterns in modern cheongsam design [J]. Textile Industry and Technology, 2023, 52(05): 85-88.
[10] Liu Chengyin. Research on the application of illustrations in snack food packaging design[J]. Shanghai Packaging, 2023(06):142-144. DOI:10.19446/j.cnki.1005-9423.2023.06.046.
[11] Shi Jujin. Folk culture contained in clothing accessories [J]. Western Leather, 2024, 46(10): 38-40. DOI: 10.20143/j.1671-1602.2024.10.038. 
[12] Cheng Junge. The value of handicrafts and its application in modern design [J]. Papermaking Information, 2023(04): 105-106.

All published work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright © 2016 - 2031 Clausius Scientific Press Inc. All Rights Reserved.